Campbell is a Melbourne-based commercial cinematographer, videographer and photographer with 10+ years' experience. A lifelong passion for mountain biking introduced him to storytelling and filmmaking, and fuelled his love of adventure. His narrative-driven approach builds genuine emotional connection with audiences, not just visual appeal. Starting with guerrilla-style social content, his portfolio soon caught the eye of international brands. Today he focuses on large-scale global productions across web, print, TVC and social. Always keen to hear ideas, he loves any job, large or small.
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videography & editing
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Best videography & editing freelancers in Australia
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As a strategic creative, I'm always looking for opportunities to collaborate with others from Social, Design, Brand, integrated campaigns to business innovation and Ai, transformation, I believe in creating ideas that build genuine connections with people where it matters most in their lives—driving measurable results and lasting impact.
I’m a Melbourne-based freelance content producer, photographer and video editor with 12 years of experience across entertainment, live music, events and digital content. I specialise in creating engaging photo and video content from concept and capture through to editing and delivery, with additional experience in podcast production, social content and branded campaigns.
Hobart-based creative working across cinematography, video editing, photography, graphic design and visual art. With a background in design, advertising and filmmaking, I bring a considered visual approach, technical expertise and a strong attention to detail to every project. My work spans commercial, editorial, screen and artistic projects, with a focus on thoughtful visual storytelling and finding the right creative solution for each brief.
Eliz is a visual storyteller, working in motion film & photography. With 10 years of expertise in e-commerce, brand campaigns, short films, product photography & music videos: she thrives at the intersection of fashion, branding & culture. She was the Head Content Producer at Luvo (tech-beauty e-comm) for 8 years, Creative Director of PRAEMA (creative agency) for 3 years & was recently the Creative Producer at Laced (retailer). With a portfolio of diverse collaborations, Eliz has worked with leading companies such as Netflix AU, Adobe, Pedestrian.tv, Footlocker, Puma, Culture Kings & more.
Trish A.
ABN connectedI’m a senior brand and communications consultant who helps businesses make complicated things easier to understand. I can help with brand strategy, positioning, messaging, communications, marketing strategy, website copy, campaigns, content direction and creative direction. I’m particularly useful when you need experienced strategic help for a project, launch, rebrand or overflow work — without adding another permanent person to the team.
photographer, branding consulting, graphic design, social media and website management
Adrian P.
ABN connectedI’m Adrian, Creative Director and founder of TrillCo., an independent branding and creative studio in Perth. I specialise in brand strategy, visual identity, graphic design and campaign creative, with particular expertise in sport. I help businesses, clubs and organisations turn ideas into distinctive, practical creative that works across digital, print and real-world touchpoints. Available for project-based work or ongoing freelance support.
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Post a gig.
01Tell us what you need, time-based or outcome-based. Takes 60 seconds and it's free to post.

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Videography & editing in Australia, questions
It depends whether you need the shoot, the edit, or both. A full gig covers planning (a brief and a rough shot list), the shoot itself (camera, lighting, audio and direction on the day), and the edit (the cut, colour grade, sound, captions and exports in the formats you need). An edit-only gig skips the shoot and works from footage you supply. Be clear up front which one you're after, it changes the bid.
Videography includes capturing the footage, so the freelancer plans and shoots it. Video editing is post-production only: you hand over the raw clips and they cut, grade, add sound and titles, then export it. If you've already got footage from your phone or an event, you want an editor. If nothing's been shot yet, you want a videographer who can do both.
The usual run: brand and promo videos, product clips, social content (reels, TikTok and shorts), testimonials, event coverage, explainers and real estate walkthroughs. Most freelancers lean one way, polished brand films or fast social content, so match the freelancer to the job. Their showreel tells you quickly which lane they're in.
A social edit from footage you supply can turn around in a few days. A produced brand video with a shoot usually runs 2 to 4 weeks once you factor in planning, a shoot day and a couple of revision rounds. On a tight deadline? Say so in the gig, plenty of freelancers can move fast when the brief is clear.
Shoot it vertical (9:16), hook people in the first second, and build it to work with the sound off. The numbers are brutal: average watch time on Meta is 1 to 2 seconds, and about 95% of people don't make it past 1.5 seconds. So lead with the payoff, burn in captions, and keep it short. A good editor builds for that, not for a TV ad.
For raw, in-the-moment social clips, absolutely, phones shoot great footage now. Where a freelancer earns their keep is the bits that separate it from your nephew's iPhone: lighting, clean audio, direction on the day, and an edit that holds attention. Even if you shoot it yourself, handing the footage to an editor is often the highest-value half of the job.
Final exports in every format and aspect ratio you need: 16:9 for YouTube, 9:16 for reels and stories, 1:1 for the feed. Ask for a captioned version too, since most social plays on mute. If you want the raw footage or the editable project file, write that into the gig up front, it's not always included by default.
Two rounds is a fair default: one to react to the first cut, one to fine-tune. The trick is to lock the structure early, sign off the rough cut before anyone polishes the colour and sound, because reordering scenes after the fine edit is where time and budget blow out. Agree the number of rounds in the gig so there are no surprises.
In Australia, a social edit from supplied footage often starts around $300 to $800. A half-day shoot with a produced edit typically runs $1,200 to $3,000, and a full brand video across multiple locations can go well beyond that. Price tracks shoot days, crew, locations and how many final cuts you need.
Start with the showreel: look for work in your style and ideally your industry, and judge the edit quality, not just the camera. Read their verified reviews on Unjumble, ask what gear and turnaround they offer, and confirm the deliverables and revision rounds. A quick chat about the idea tells you whether they get the brief.
Post a videography gig in 60 seconds. Describe the work, set your budget and timeframe, and choose whether it's time-based or outcome-based. Local freelancers send a bid with a quote, you compare their profiles, showreels and verified reviews, then pick the one that fits. Posting is free, so you only pay for the work.
Every gig runs on a payment schedule you both agree on up front, and every payment is held securely through Stripe. On an outcome-based gig the stages are often the shoot and the final edit. You fund each one before the work starts and it's released once you sign off. On a time-based gig you're charged for each month as it starts, and it's released to your freelancer once that month's been worked. No chasing invoices, and no paying for work that's not done.