Campbell is a Melbourne-based commercial cinematographer, videographer and photographer with 10+ years' experience. A lifelong passion for mountain biking introduced him to storytelling and filmmaking, and fuelled his love of adventure. His narrative-driven approach builds genuine emotional connection with audiences, not just visual appeal. Starting with guerrilla-style social content, his portfolio soon caught the eye of international brands. Today he focuses on large-scale global productions across web, print, TVC and social. Always keen to hear ideas, he loves any job, large or small.
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Best videography & editing freelancers in Melbourne
Ranked by verified rating, review volume, proximity and profile completeness. Every freelancer who works on Unjumble has an ABN connected and an Australian mobile.
I’m a Melbourne-based freelance content producer, photographer and video editor with 12 years of experience across entertainment, live music, events and digital content. I specialise in creating engaging photo and video content from concept and capture through to editing and delivery, with additional experience in podcast production, social content and branded campaigns.
Marissa B.
ABN connectedI am an experienced Senior Video Editor based in Melbourne with a demonstrated history of working in the Advertising & Marketing Industry. Skilled in Video, Broadcast & Online Content. Adobe Premiere Pro & Adobe Creative Suite. Strong media and communication professional with a Bachelor’s Degree focused in Multimedia Design from Monash University.
Shazil M.
ABN connectedCreative Designer specialising in brand design, product design and digital experiences.
Looking for a proven digital marketing partner to elevate your brand? With 15+ years of experience, I specialise in turning social media channels, email marketing, and content systems into powerful growth engines. I bridge high-level strategy with hands-on execution - building multi-platform social campaigns, managing complex content workflows, and optimising digital touchpoints to drive real engagement. Let’s discuss how I can deliver measurable results for your next project.
James P.
ABN connectedCEO, Founder and Digital Marketing Strategist with 20 years' expertise across agency leadership, corporate roles (incl. Google) and entrepreneurial ventures. Specialising in performance marketing, go to market strategy, brand storytelling and conversion efficiency. Results: 90% CPA drop for Enviroflex, 10x ROI and $2M added sales for Tennis Gear, and US market setup for a $160M wellness brand. Founder of Pocketsquare, a video studio building brand loyalty through storytelling
Pawan T.
ABN connectedStart as a photographer and within years build a career in design, with more nieche into social media design, branding and digital marketing.
I believe helping people to visualise their dreams can be a powerful tool, I know what it takes to bring a thought into full force. Using my insight as an Art Director and over a decade of experience as a Brand Specialist and designer, my goal is to inspire.
What's the cost of a videography & editing in Melbourne?
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01Tell us what you need, time-based or outcome-based. Takes 60 seconds and it's free to post.

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Videography & editing in Melbourne, questions
It depends whether you need the shoot, the edit, or both. A full gig covers planning (a brief and a rough shot list), the shoot itself (camera, lighting, audio and direction on the day), and the edit (the cut, colour grade, sound, captions and exports in the formats you need). An edit-only gig skips the shoot and works from footage you supply. Be clear up front which one you're after, it changes the bid.
Videography includes capturing the footage, so the freelancer plans and shoots it. Video editing is post-production only: you hand over the raw clips and they cut, grade, add sound and titles, then export it. If you've already got footage from your phone or an event, you want an editor. If nothing's been shot yet, you want a videographer who can do both.
The usual run: brand and promo videos, product clips, social content (reels, TikTok and shorts), testimonials, event coverage, explainers and real estate walkthroughs. Most freelancers lean one way, polished brand films or fast social content, so match the freelancer to the job. Their showreel tells you quickly which lane they're in.
A social edit from footage you supply can turn around in a few days. A produced brand video with a shoot usually runs 2 to 4 weeks once you factor in planning, a shoot day and a couple of revision rounds. On a tight deadline? Say so in the gig, plenty of freelancers can move fast when the brief is clear.
Shoot it vertical (9:16), hook people in the first second, and build it to work with the sound off. The numbers are brutal: average watch time on Meta is 1 to 2 seconds, and about 95% of people don't make it past 1.5 seconds. So lead with the payoff, burn in captions, and keep it short. A good editor builds for that, not for a TV ad.
For raw, in-the-moment social clips, absolutely, phones shoot great footage now. Where a freelancer earns their keep is the bits that separate it from your nephew's iPhone: lighting, clean audio, direction on the day, and an edit that holds attention. Even if you shoot it yourself, handing the footage to an editor is often the highest-value half of the job.
Final exports in every format and aspect ratio you need: 16:9 for YouTube, 9:16 for reels and stories, 1:1 for the feed. Ask for a captioned version too, since most social plays on mute. If you want the raw footage or the editable project file, write that into the gig up front, it's not always included by default.
Two rounds is a fair default: one to react to the first cut, one to fine-tune. The trick is to lock the structure early, sign off the rough cut before anyone polishes the colour and sound, because reordering scenes after the fine edit is where time and budget blow out. Agree the number of rounds in the gig so there are no surprises.
In Melbourne, a social edit from supplied footage often starts around $300 to $800. A half-day shoot with a produced edit typically runs $1,200 to $3,000, and a full brand video across multiple locations can go well beyond that. Price tracks shoot days, crew, locations and how many final cuts you need.
Start with the showreel: look for work in your style and ideally your industry, and judge the edit quality, not just the camera. Read their verified reviews on Unjumble, ask what gear and turnaround they offer, and confirm the deliverables and revision rounds. A quick chat about the idea tells you whether they get the brief.
Post a videography gig in 60 seconds. Describe the work, set your budget and timeframe, and choose whether it's time-based or outcome-based. Local freelancers send a bid with a quote, you compare their profiles, showreels and verified reviews, then pick the one that fits. Posting is free, so you only pay for the work.
Every gig runs on a payment schedule you both agree on up front, and every payment is held securely through Stripe. On an outcome-based gig the stages are often the shoot and the final edit. You fund each one before the work starts and it's released once you sign off. On a time-based gig you're charged for each month as it starts, and it's released to your freelancer once that month's been worked. No chasing invoices, and no paying for work that's not done.