I’m an experienced Graphic Designer with almost 30 years’ experience creating engaging, professional design across print and digital. I specialise in branding, publications, marketing materials, presentations and digital content. I combine creativity with a practical, client-focused approach, taking the time to understand your needs and deliver thoughtful, polished results. Reliable, detail-oriented and easy to work with, I can help bring your ideas to life from concept through to final artwork.
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Best brand designers in Melbourne
Ranked by verified rating, review volume, proximity and profile completeness. Every freelancer who works on Unjumble has an ABN connected and an Australian mobile.
I’m a graphic designer and marketing professional with a focus on branding, editorial, print, posters, album artwork, web design and digital content. I bring together creative thinking and commercial insight to develop distinctive, considered design that communicates with purpose and resonates with its audience.
I’m a graphic designer based in Melbourne experienced in Brand Identity, Social Media, Advertising, and Presentation Design. My work combines research, strategy and creativity to create visuals that can engage people and make a real impact. I’m also passionate about exploring new creative challenges and expanding my experience into packaging and editorial design.
Ed C.
ABN connectedI am an award-winning senior creative leader who brings the best of brand-led advertising and user-centric design together to solve today’s modern problems. I’ve gone from designing some of the first online stores and earliest viral campaigns, to running creative departments and crafting memorable advertising campaigns for some of Australia’s best-loved brands. Over this time, I’ve developed a keen eye which, combined with a fascination for what makes people tick, means the work I am involved in is as aesthetically beautiful as it is effective
A digital Product Designer with over a decade of experience across retail, health, government, and consulting, I’ve helped shape everything from eCommerce journeys and tools and platforms to design systems and digital communications. I love helping businesses of any size grow online, get leads and delight customers.
Ben L.
ABN connectedHello! I'm an ex Graphic Designer for The Walt Disney Company. Working primarily on Marvel, StarWars, ESPN, Disney+ and Hulu. Because of these big brand I have learned what works for some of the biggest entertainment brands in the world. Working there for 5 years has given me a great insight that I have been wanting to share with emerging businesses with BIG ideas. Get in touch, lets see if we jam!
Luke B.
ABN connectedHey, my name is Luke, I’m a graphic designer. I work full-time in the film industry, creating everything from print/physical media to social media assets and campaign visuals. Outside of that, I love creating art, specifically for music, I would love to work with artists to bring their creative visions to life, whether that’s single artwork, album covers, branding, or custom visuals.
Shazil M.
ABN connectedCreative Designer specialising in brand design, product design and digital experiences.
What's the cost of a brand designer in Melbourne?
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Brand designer in Melbourne, questions
More than a logo. A full brand identity usually covers the logo suite (a primary mark, a secondary or stacked version, and a one-colour version), a colour palette, fonts for headings and body, an image or illustration style, and a short brand guidelines doc that ties it all together. Many freelancers also build the everyday templates you'll actually use: social tiles, a business card, an email signature, maybe a letterhead or pitch deck. The point is a kit you can roll out anywhere without guessing.
If you're testing an idea or just need a clean mark to start trading, a logo gig is enough. Go for a full brand identity when you're about to roll out across a few places at once, a website, signage, packaging, socials, and want them all to look like the same business. Doing it as one identity gig now saves you stitching mismatched bits together later.
Consistency, plus a few things that are unmistakably yours. A strong identity holds together whether it's on a shopfront, an Instagram grid or an invoice, and it owns a colour, a type style or a shape that people start to recognise as you. The research backs it: consistent branding across channels lifts revenue by around 23% on average, and brands that use distinctive assets well are far more likely to report big profit gains. Distinctive and consistent beats clever every time.
Most freelance brand identity projects run 3 to 6 weeks, longer than a standalone logo because there's more to design and align. Expect a discovery chat, a moodboard or direction stage, the logo and core elements, then the guidelines and templates. The biggest delay is usually sign-off time on your side, so agree up front who has the final say.
At minimum: the logo suite as vector files (AI, EPS or SVG) plus high-res PNGs, your colour codes (HEX, RGB and CMYK), the fonts or links to them, and a brand guidelines doc. If templates were part of the gig, you get the editable files for those too. Vector files matter because printers and signwriters will ask for them, and they scale to any size without going blurry.
It's the rulebook for your brand: how to use the logo, the exact colours and fonts, spacing, and what not to do with the mark. You need one the moment more than one person touches your brand, a printer, a signwriter, a social freelancer or a new hire, because it keeps everything on-brand without you re-explaining it each time. Even a tight one-pager does the job for a small business.
You can assemble pieces in Canva or with an AI generator, and for an early test that's fine. The catch is cohesion and ownership: a real identity is a system where the logo, colours, type and templates all pull together, and generated kits often look like a thousand others with murky usage rights. A freelance designer builds something that's genuinely yours, in proper source files, that still holds up as you grow.
You should, outright. Make sure the gig includes full transfer of rights and the editable source files, not just exported images. On Unjumble, write the handover into a stage so the source files and rights transfer are signed off before the final payment is released.
A full freelance brand identity in Melbourne typically runs $3,000 to $8,000, against roughly $1,500 to $3,000 for a logo on its own. A simple starter kit can come in lower, and a detailed system with lots of templates and applications can go higher. Price tracks scope: how many elements, how many applications, and how much strategy sits behind it.
Hourly rates span roughly $75 to $188 and identity work is where the difference shows most. A junior nearer $75 can apply an existing identity to new pieces, but is rarely the right call for building one from scratch. The middle of the band covers most identity gigs, a designer who can hold logo, type, colour and collateral together as one system. Toward $188 you're engaging a design lead, which is worth it when the identity has to stretch across packaging, signage, uniforms and a site without falling apart. Ask what happens when the brand meets a format nobody planned for.
Look for a portfolio that shows whole identities, not just logos, ideally a few in your industry. Check they hand over proper vector source files and full ownership, and read their verified reviews on Unjumble. Ask what's included: logo suite, guidelines, templates, and how many revision rounds. A short chat about your business tells you fast whether they get it.
Post a brand identity gig in 60 seconds. Describe the work, set your budget and timeframe, and choose whether it's time-based or outcome-based. Local freelancers send a bid with a quote, you compare their profiles, portfolios and verified reviews, then pick the one that fits. Posting is free, so you only pay for the work.
Every gig runs on a payment schedule you both agree on up front, and every payment is held securely through Stripe. On an outcome-based gig you fund each stage before the work starts and it's released once you sign off. On a time-based gig you're charged for each month as it starts, and it's released to your freelancer once that month's been worked. No chasing invoices, and no paying for work that's not done.