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drone videography

Aerial video of a property, site or event, edited into a finished sequence or supplied as graded clips for a wider edit. A typical gig covers one location, an agreed set of moves, and delivery in the formats you need. Confirm CASA accreditation, which is required for commercial flying.

Yes, for any commercial work. CASA requires accreditation, and the level depends on drone weight and the type of operation. Ask to see credentials and public liability insurance before booking. If an operator cannot produce either, the legal and financial exposure sits with your business.

A slow reveal rising over a rooftop or treeline, a steady orbit around the subject, and a push in toward an entrance. Three or four well-executed moves beat a dozen restless ones. Fast, swooping footage looks impressive alone and is difficult to cut into a calm edit.

Aerials work best as establishing and transition shots rather than as the whole film. A common structure opens with an aerial to set the scene, moves to ground footage for detail and interviews, then closes with a rising aerial. If you want both, book them together so the footage matches.

4K is standard and worth having even if you publish in 1080p, since it allows cropping and stabilising in the edit. For social, also ask for a vertical crop or for the framing to leave room for one. Confirm frame rate matches any ground footage it will be cut with.

Wind above safe limits, rain, restricted airspace, or events happening below. Weather is the usual cause of postponement, so build a buffer before any deadline. Agree rescheduling terms in advance, especially for listings or campaigns with a fixed launch date.

Small drones can fly indoors and in tight spaces, and it is increasingly common for venue and property walkthroughs. It requires a skilled operator and a controlled environment with no bystanders. Discuss it specifically, since it is a different skill from open-air aerial work.

In Australia, aerial video as an add-on to a property or corporate shoot typically runs $250 to $600. A standalone booking with editing commonly runs $600 to $1,800. Larger productions, indoor flying and construction progress series sit higher. Travel outside the metro area is usually additional.

Watch their footage for smoothness and deliberate composition rather than dramatic speed. Confirm accreditation and insurance. An operator who asks what the footage will be cut with, and matches resolution and frame rate to it, will save your editor real trouble.

Post a drone videography gig in 60 seconds. Describe the work, set your budget and timeframe, and choose whether it is time-based or outcome-based. Local freelancers send a bid with a quote, you compare their profiles, portfolios and reviews, then pick the one that fits. Posting is free, so you only pay for the work.

Every gig runs on a payment schedule you both agree on up front, and every payment is held securely through Stripe. On an outcome-based gig you fund each stage before the work starts and it is released once you sign off. On a time-based gig you are charged for each month as it starts, and it is released to your freelancer once that month has been worked. No chasing invoices, and no paying for work that is not done.