As a strategic creative, I'm always looking for opportunities to collaborate with others from Social, Design, Brand, integrated campaigns to business innovation and Ai, transformation, I believe in creating ideas that build genuine connections with people where it matters most in their lives—driving measurable results and lasting impact.
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drone operator
Post a gig in 60 seconds, get bids from drone operators across Australia. You pick the one that fits.
Best drone operators in Australia
Ranked by verified rating, review volume, proximity and profile completeness. Every freelancer who works on Unjumble has an ABN connected and an Australian mobile.
Yianni A.
ABN connectedSydney based photographer, Yianni has built a prolific portfolio and photographic style encompassing editorial, celebrity portraiture, advertising and dramatic travel landscapes. Born on the island of Crete in Greece. Yianni moved to Sydney in 1999 and completed a Visual Media Arts degree from the University of Sydney. His formal education laid a foundation of both the technical and artistic scope of photography. Focusing on the world of commercial and editorial photography, Yianni has had incredible opportunities to capture inspiring subjects and a host of entertainers, actors and public figures. For the past 23 years, he has collaborated with a wide range of clients including magazines and TV, with both big and small production. Yianni is constantly inspired by his collaborations with clients, subjects and the study of advancements in photography itself.
Joe W.
ABN connectedProfessional photographer based in the Blue Mountains with over 20 years of experience specialising in lifestyle photography, portraits, business, brand and commercial photography. I have a broad range of skills shooting everything from small shoots for local businesses to large multi-day ad campaigns building image libraries for global brands.
Hi, I'm Andy. I'm a content specialist and I love being hands-on through the whole thing, from planning and strategy to filming and editing. I'll take your idea all the way to the final cut, whether it's personal content and UGC, a founder's story, or professional videography. It's all just me, and I'd genuinely love to help make it.
Pawan T.
ABN connectedStart as a photographer and within years build a career in design, with more nieche into social media design, branding and digital marketing.
I work largely with major Australian media outlets (SBS, NITV, AAP, GETTY) focusing on a documentary visual approach. My experience working with big media names promises professionalism, efficiency and proven industry standards. I also produce independent short documentaries, turning factual stories into creative and truthful works from start to finish. Outside of work I enjoy the outdoors as much as I can. I love backpacking, cycling, running, gardening and listening to music. I’m interested in working with artists, NGOs and small businesses who align with my values.
Cal F.
ABN connectedThrills & Spillz Creative is a Sydney-based videography and photography studio, based on the Northern Beaches, specialising in event, sports and business content. We work across live music, festivals, nightlife, sport and brand video and photography, delivering high-energy, cinematic content that captures the atmosphere of a moment.
David R.
ABN connectedCommercial Photographer | Advertising, Campaigns & Brand Storytelling | Australia + Worldwide
What's the cost of a drone operator in Australia?
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What is Unjumble?
Post a gig. Pick a local freelancer. Pay in stages. All in one web app. Finding great help shouldn't be hard work.
Post a gig.
01Tell us what you need, time-based or outcome-based. Takes 60 seconds and it's free to post.

Pick a person.
02Compare bids from local freelancers, view portfolios and past work.

Wrap it up.
03When the work lands and you're happy, sign it off and release the payment securely through Stripe. Done and dusted.

Drone operator in Australia, questions
A typical gig covers the flight planning (location, angles and a rough shot list), the flying day itself, and the edit. You get aerial stills, video, or both, colour graded and exported in the formats you need. For property and construction work, expect a mix of wide establishing shots, orbits and top-down passes. Be clear up front whether you want photos, video or a full package, it changes the bid.
For paid work, yes, this is the detail that matters most. Flying a drone over 2 kg for business in Australia means the operator needs a Remote Pilot Licence (RePL) and usually flies under a Remote Operator's Certificate (ReOC), both issued by CASA. Sub-2 kg commercial flights can run under the lighter excluded-category rules, but the operator still has to register with CASA and notify them. Always confirm a freelancer's RePL and ReOC before you book, an unlicensed flight can void insurance and land you both in trouble.
Anything that's better from above or from an angle you can't reach on foot. The common jobs: real estate and property listings, event coverage, landscape and tourism content, construction and site progress over time, and big hero shots for a brand video. It's also handy for inspections, roofs, solar, large rural blocks, where getting up there yourself is slow or risky. If the story is the scale or the setting, drone earns its place.
Most professional aerial freelancers fly DJI gear: a Mavic 3 or Air 3 for general property and brand work, or a Phantom or Inspire for higher-end production. The drone matters less than the operator, but ask about camera resolution (4K video and 20-megapixel-plus stills are standard now), and whether they shoot in a flat or log colour profile for grading. For mapping or progress work, ask if they can fly an automated grid for consistent results.
The flying is quick, the planning and edit are where the time goes. A single-property or single-site shoot is usually a half-day on the ground, with edited footage back within a few days to a week. A larger job across multiple locations, or ongoing construction progress over months, runs longer and is best set up as staged visits. Weather is the wildcard, wind and rain ground a drone, so build a backup day into the brief.
For your own private use, a cheap drone and a steady hand will get you something. The catch for business use is twofold: the law (commercial flights need CASA licensing, see above) and the result. A freelancer knows how to frame an orbit, nail exposure, fly smooth cinematic moves, and edit it into something that holds attention. If it's going on a listing or an ad, the gap between a hobby clip and a licensed operator's footage is obvious.
It's the angle and the licensing. A videographer shoots from the ground, a drone operator adds the aerial perspective and has to be CASA-licensed to do it commercially. Plenty of freelancers offer both and will blend ground and aerial footage into one edit, which is usually what a brand video or property listing wants. If you only need the sky shots to drop into an existing edit, say so, an aerial-only gig is cheaper than a full production.
Final edited stills and video in the formats you need: 16:9 for YouTube and listings, 9:16 for reels, and high-resolution JPEGs for the aerial photos. Ask for a captioned social version if it's going on Instagram or TikTok. If you want the raw footage or the editable project file, write that into the gig up front, it's not always included. For ongoing site work, agree a consistent angle and altitude so each visit lines up.
In Australia, a basic aerial photo package for a single property often starts around $300 to $600. A half-day shoot with edited aerial video usually runs $800 to $2,000, and a full production blending ground and aerial footage across multiple locations goes beyond that. Price tracks licensing, flying time, the number of locations and how much editing you need.
Start with the showreel and confirm the legal basics: a current CASA RePL, an ReOC or excluded-category registration, and public liability insurance. Look for aerial work in your field, property, events or construction, and judge the smoothness of the flying and the quality of the edit. Read their verified reviews on Unjumble, and ask about turnaround and a weather backup plan. A quick chat about the site tells you whether they get the brief.
Post a drone gig in 60 seconds. Describe the work, set your budget and timeframe, and choose whether it's time-based or outcome-based. Local freelancers send a bid with a quote, you compare their profiles, showreels and verified reviews, then pick the one that fits. Posting is free, so you only pay for the work.
Every gig runs on a payment schedule you both agree on up front, and every payment is held securely through Stripe. On an outcome-based gig the stages are often the shoot and the final edit. You fund each one before the work starts and it's released once you sign off. On a time-based gig you're charged for each month as it starts, and it's released to your freelancer once that month's been worked. No chasing invoices, and no paying for work that's not done.