I'm Cecilia, a creative director with almost 20 years turning brands, books and podcasts into work people remember. Cover art for iHeart, Nova and Mamamia. Bestselling book covers. Business Chicks events with Richard Branson and Sarah Jessica Parker in the room. I work with people who know what they want (or trust me to find it), value clear communication over endless revisions, and want a brand that looks as sharp as it sounds. Sydney based, clients everywhere.
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I’m Sabina, a creative consultant with 15 years of experience across healthcare, construction, and lifestyle. I skip the middle management and agency overheads to work with business owners who value long term brand equity over temporary or short term gains. I bring equal polish to boutique branding and complex corporate assets. I adapt to your scope, ensuring your brand stays authentic to its ethos while maintaining the highest standards and output.
Hi hello, it’s Shelley! I’m a freelance designer with 7+ years experience across graphic design, web design and art direction – I currently help digital-native brands in the fashion, beauty and lifestyle space transform their strategy into considered, human-centred design. As a generalist at heart, I naturally sit at the intersection of research, strategy and craft. I deeply believe that design is fundamentally about communication and problem solving, so I personally love diving into data on why something is (or isn’t) working, whilst still appreciating the creativity and visual design.
I’m a Product Designer specialising in UX/UI, digital products and websites. I help startups and businesses turn ideas and complex requirements into clear, intuitive and visually strong digital experiences. My work covers UX strategy, user flows, wireframes, UI design, design systems, prototypes and responsive websites. I work closely with developers to ensure designs are translated into polished, functional products.
Bart R.
ABN connected10+ years across Sydney and London, working with Amazon UK, Discovery Channel, Sky TV, Sydney Opera House, Netflix and more. I specialise in motion design and video production end-to-end — concept, script, shoot, animate, deliver. Fluent in 2D/3D motion graphics, infographics and storytelling across TV, social and beyond. Tools: Adobe Creative Suite, Cinema 4D with Redshift, Unreal Engine. Always chasing the next technique worth knowing.
Hi 👋 We’re Jana — a creative duo combining marketing and design. With 10+ years of experience each, we bring together two complementary skill sets: Jana — Marketing & Communications specialist with expertise in content strategy, social media, digital marketing, copywriting, campaigns and communications Plinio — Multimedia Specialist specialising in graphic design, advertising, illustration, branding, art direction and visual storytelling. We’re collaborative, reliable, creatively curious and genuinely passionate about making great work.
I'm an experienced Graphic & Presentation Designer. I can help with logo design, branding development, print brochures, publications, presentations, banners and all sorts of digital design projects. If you have a design idea you'd like to explore, feel free to run it by me! Based in Sydney's Inner West.
I'm a Senior Integrated Graphic Designer with 15+ years of experience in Digital, Print, Freelance Services and Marketing Design, working full-time as part of the Marketing Team in Nu Skin Pacific, and as a freelancer at OBUK Design. I specialize in print and digital design, EDMs, social media, reels, signage, stationery, POS, and videos. I have worked in many industries, including: skin care, beauty, wellness, retail, e-commerce, fashion and hospitality, among others. I have +6 years of experience in remote work with worldwide clients from Argentina, Australia, Canada, the UAE, UK and USA. I'm a quick learner and have been involved in copywriting for email marketing and social media as well, creating catchy and attention-grabbing headlines that people enjoy reading. I have a very cheerful and proactive personality, with proficiency in organisation, teamwork and time-management. Let's connect!
What's the cost of a presentation & pitch deck design in Sydney?
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Presentation & pitch deck design in Sydney, questions
It depends whether you need the story sorted or just the look. A design-only gig takes your existing content and makes it sharp and on-brand: layouts, type, charts, icons and a consistent template. A fuller gig also helps with the narrative, the order of the slides, what each one needs to say and what to cut, then designs it. Be clear up front which you want, because reworking the story is a bigger job than polishing slides you've already written.
Content is the story and the words: what each slide argues, in what order, and the numbers behind it. Design is how it looks and how clearly it reads: layout, hierarchy, charts and consistency. A great-looking deck with a muddled story still loses the room, and a sharp story in ugly slides undersells you. The best gigs handle both, but if your content's already locked, say so and you'll get bids scoped to design only.
One clear idea per slide, a story that builds, and visuals that do the talking. The strongest decks cut the wall of text, lead each slide with a single takeaway, and let charts and images carry the point so the audience listens to you instead of reading ahead. Investors and buyers decide fast, so the first few slides have to land the what and the why before attention drifts. Clear and confident beats crammed every time.
An investor deck makes the case for backing the business: the problem, the market, the model, traction and the team, built to raise money. A sales deck makes the case for buying: your customer's problem, your solution, proof it works, and the next step. They share a polished look but the story and the goal differ, so tell the freelancer which one you need. A good freelancer shapes the narrative around that audience, not a generic template.
A design polish of an existing deck can turn around in a few days to a week. A full build, where you shape the story, design every slide and run a couple of revision rounds, usually takes 2 to 4 weeks. The biggest delay is almost always your content: a freelancer can't design slides that aren't written yet. Have your key numbers and rough points ready before the gig starts and it moves much faster.
For an internal update or an early draft, Canva templates and AI slide generators will get you moving, and that's fine. Where a freelancer earns their keep is the stuff that wins a raise or a contract: a tight narrative, custom charts that make your numbers obvious, and design polish that signals you're serious. AI can fill slides quickly, but it tends to pad rather than sharpen, and it won't make the hard call about what to cut. For a high-stakes pitch, that judgement is the value.
Whichever you'll actually present and edit from, so tell the freelancer at the start. PowerPoint and Google Slides are the safe defaults for sharing and co-editing; Keynote suits Mac-only presenters. Most freelancers design in their own tool then hand over in your format, but fully editable charts and text don't always survive a conversion cleanly, so confirm the deliverable up front. Ask for the fonts or web-safe substitutes too, so it doesn't reflow on someone else's machine.
The finished deck in your chosen format (PowerPoint, Google Slides or Keynote), fully editable so you can update a number before a meeting. Ask for a reusable template, the master slides and layouts, so future decks stay on-brand without a redesign. A PDF export is handy for sending. If custom charts or icons were built, make sure those are editable too, not flattened into images you can't change.
In Sydney, a design polish of an existing deck often runs $400 to $1,200. A full investor or sales deck with narrative help, custom charts and a reusable template typically lands between $1,500 and $5,000, and a high-stakes raise deck can go higher. Price tracks the number of slides, how much story and chart work is involved, and how many revision rounds you need.
Hourly rates run about $75 to $188. Nearer $75 a junior can apply your existing template and tidy up spacing and alignment across a deck. The middle of the band is where most deck gigs land, a designer who'll rebuild slides properly, make charts readable and leave you a template you can reuse. Toward $188 you're into design lead territory, and for a raise or a big pitch that's often the right call, because the work becomes narrative as much as layout. Slide count matters less than how much of the story still needs figuring out.
Look for a portfolio of real decks, ideally investor or sales decks close to yours, and judge whether their slides are clear and persuasive, not just pretty. Check they'll hand over an editable file in your format with a reusable template, read their verified reviews on Unjumble, and confirm whether narrative help is included or design only. A quick chat about your audience and goal tells you fast whether they get the brief.
Post a pitch deck design gig in 60 seconds. Describe the work, set your budget and timeframe, and choose whether it's time-based or outcome-based. Local freelancers send a bid with a quote, you compare their profiles, portfolios and verified reviews, then pick the one that fits. Posting is free, so you only pay for the work.
Every gig runs on a payment schedule you both agree on up front, and every payment is held securely through Stripe. On an outcome-based gig the stages are often the structure and then the designed slides. You fund each one before the work starts and it's released once you sign off. On a time-based gig you're charged for each month as it starts, and it's released to your freelancer once that month's been worked. No chasing invoices, and no paying for work that's not done.