Experienced photographer, videographer, video editor and designer with 8+ years producing content for brands like UNIQLO, Adidas, Lendlease and ATP Science. Most recently a TV Video Journalist at Ngaarda Media and Photographer/Videographer at Impact Digi Agency, shooting in extreme remote conditions across the Pilbara. I handle the whole job: planning, studio and location shoots, drone, editing in Premiere Pro, and design in Photoshop, Illustrator and InDesign. With a Master's in Strategic Advertising, I make content that looks great and performs. Confident, reliable, on time.
Logo & Brand IdentityGraphic Design (Signage, Posters, Digital & Print)+26
My name's Ivano!
I'm a Graphic Designer who specialises in Branding, Motion Graphics, Merchandising and Squarespace Web Design. Alongside this I have experience in Photography and Video Editing!
I've had over 5 years experience freelancing and love making an impact for my clients!
Logo & Brand IdentityGraphic Design (Signage, Posters, Digital & Print)+10
$1,250–15,000/projectIndicative. Bids set the price.
I create social media content for lifestyle brands which are seeking strong aesthetic. I create branding for similar businesses, including food and beverages, hospitality businesses.
Logo & Brand IdentityGraphic Design (Signage, Posters, Digital & Print)+9
I'm a graphic designer specialising in brand identity, packaging and web design for ambitious businesses. My philosophy: great design starts by thinking outside the frame — challenging convention, obsessing over details, and building brands that actually stand out, not blend in. From packaging systems to full digital experiences, I turn ideas into identities that leave a lasting impression.
Logo & Brand IdentityGraphic Design (Signage, Posters, Digital & Print)+15
Located in Brisbane, Australia, Andrew Tang is a Graphic Designer and design educator with over 20 years of experience across branding, graphic design, print and digital design. Founded Jamfactory in 2006, working with clients including universities, government bodies, NGOs, businesses and arts organisations across Australia, Hong Kong and Japan. His work has received international recognition from the New York TDC, Tokyo TDC, HKDA, Taiwan Golden Pin and Hiiibrand, and has been published internationally. He has also taught design at several institutions in Hong Kong.
Logo & Brand IdentityGraphic Design (Signage, Posters, Digital & Print)+3
I'm a self-driven creative with a passion to create content that authentically inspires and connects people. I discovered my calling at a young age and have been on an amazing journey since – from social media and video editing to motion design! This journey has led to working with amazing and talented teams in both Singapore and Brisbane, Australia. I'm always looking for more opportunities to learn and grow with fellow creatives. And most importantly, I love taking on new challenges!
Graphic Design (Signage, Posters, Digital & Print)Advertising & Marketing Creative+7
I am a multi-disciplinary Graphic Artist and Senior Finished Artist with 20+ years creating, refining and delivering brand, campaign and marketing communications across leading agencies and in-house studios. From creative concept through to production, I bring a practical, experienced approach to getting great work out the door.
Logo & Brand IdentityGraphic Design (Signage, Posters, Digital & Print)+5
A typical gig covers the concept and layout, the artwork itself (your logo, colours, product name, imagery and the required legal text laid out to fit the pack), and print-ready files set up to your printer's specs. Good freelancers build the design onto a dieline, the flat template of your box, bottle or pouch, so everything lines up once it's cut and folded. Be clear whether you need one label or a full range, because that changes the bid.
Earning the second look. On a crowded shelf you've got a moment to read as one clear thing, so a strong pack leans on one bold idea, legible product naming, and a colour or shape that's unmistakably yours from a few steps back. It also has to survive being handled, photographed for socials and sat next to competitors. Distinctive and consistent beats busy: the research shows brands that use distinctive assets well are far more likely to report big profit gains.
A dieline is the flat template that shows where your packaging gets cut, folded and glued. The designer works on top of it so the artwork lands in the right place once the pack is assembled, with nothing important falling on a fold or getting trimmed off. Your printer or packaging supplier provides the dieline, so ask them for it early and pass it to the freelancer. Designing without one is how you end up with a barcode on a crease.
A single label or simple box usually runs 1 to 3 weeks from brief to print-ready files. A full product range, or anything needing structural decisions and a few rounds on the shelf look, can take 4 to 6 weeks. Add time for a physical proof from the printer before the full run, which is always worth it. The biggest delays are sourcing the dieline and getting the legal text confirmed, so sort both early.
You supply the content; the designer lays it out. For food and drink sold in Australia that means ingredients, allergens, nutrition panel, net weight, country of origin and your business details, all to the relevant standards. The designer places it legibly and at the required sizes, but confirming the wording is on you (or your compliance person). Get your barcode (GS1) and all mandatory text locked before final artwork, because changing it after print is expensive.
For a simple sticker label on a small batch, Canva can get you started. Packaging gets technical fast, though: dielines, bleed and trim, spot colours, varnishes and foils, and files set up exactly how a commercial printer needs them. Get those wrong and the print run comes back unusable, which costs far more than the design did. A freelancer who knows production gives you artwork that actually prints, plus the structural know-how AI tools and templates don't cover.
Print-ready artwork (usually a press-ready PDF) built to your printer's exact specs, with bleed, crop marks and the correct colour mode (CMYK, plus any spot or Pantone colours called out). Ask for the editable source files too, so you can update a flavour or batch later without starting over. It's worth having the freelancer liaise with your printer on requirements before final files, since every printer's setup differs slightly.
A brand identity sets your logo, colours, type and overall look. Packaging design takes that identity and engineers it onto a physical product: the right format, the legal bits, the dieline, the print setup. If you don't have a consistent brand yet, sort that first or the packaging has nothing to build on. If your brand's already locked, a packaging gig applies it to the pack and gets you print-ready.
In Sunshine Coast, a single product label often runs $400 to $1,200, and a more involved box or pouch design lands around $1,000 to $2,500. A full product range or a system that scales across multiple SKUs can reach $5,000 or more. Price tracks the number of products, how complex the structure and print finishes are, and how many concepts and revision rounds you need. Printing itself is a separate cost paid to your printer.
Rates run about $75 to $190 an hour. A junior nearer $75 can adapt an existing label to a new flavour or size, which is genuinely useful when you're extending a range. Most packaging gigs sit in the middle of the band, an experienced designer who knows dielines, bleed and how colour shifts on different substrates. Toward $190 you're paying for a design lead, and on packaging that judgement is worth real money: print runs are expensive to redo, and shelf standout is hard to fix after the fact. Printing itself is separate and paid to your printer.
Look for a portfolio with real packaging and ideally products in your category, since food, drink, cosmetics and retail each have their own quirks. Check they work to dielines and hand over correct print-ready files, ask whether they'll liaise with your printer, and read their verified reviews on Unjumble. Confirm how many concepts and revision rounds the gig includes. A quick chat about your product tells you fast whether they get it.
Post a packaging design gig in 60 seconds. Describe the work, set your budget and timeframe, and choose whether it's time-based or outcome-based. Local freelancers send a bid with a quote, you compare their profiles, portfolios and verified reviews, then pick the one that fits. Posting a gig is free. When you accept a bid, each stage is the freelancer's price, plus GST if they're registered, plus our 5% platform fee (worked out on the price before GST, GST included). A $1,000 stage from a GST-registered freelancer comes to $1,150.
Every gig runs on a payment schedule you both agree on up front, and every payment runs through Stripe. On an outcome-based gig the stages are often the concept and then the print-ready artwork. Each one is charged before the work starts and held by Unjumble until sign-off, or until it pays out on its own 14 days after it's submitted. On a time-based gig you're charged for each month as it starts, and it pays out when the next month starts unless you raise an issue.
